New works
With the Body as a site for knowledge production, new works re-imagine sculpture as a tool to weave the conceptual and symbolic potential of object-orientated practices with gendered Materialisms and Phenomenologies into the act of Wearing.
With a proprioceptive motive, these sculptural exoskeletons are worn on the body as a protective-restrictive second skin and a reification of female lived experience, instilled with the rational/irrational hope of protection from threat and harm.
Embodied with the narrative of the wearer, these works re-frame the complex interactions between bodies and power, to
re-claim the female self from trauma knowledges, inequalities and violence, with the context of Nature as complex transportive and transformative force.
With a proprioceptive motive, these sculptural exoskeletons are worn on the body as a protective-restrictive second skin and a reification of female lived experience, instilled with the rational/irrational hope of protection from threat and harm.
Embodied with the narrative of the wearer, these works re-frame the complex interactions between bodies and power, to
re-claim the female self from trauma knowledges, inequalities and violence, with the context of Nature as complex transportive and transformative force.
