In centering expansive, indefinite readings of Public/s, as live organism, fluid and entangled, in perpetual motion, and as a source of complex imaginaries, research synthesises a constellation of related vocabularies, including materiality, encounter, memory, performance, and film/photography in other ways of thinking/doing publicness.


With/in this contested and fluctuating spaces of Public/s, artworks trace the vigilant, spectral body in collaboration with an assemblage of objects and (inter)relations, to provoke unpredictable, uncomfortable, and (re)generative interchanges.