In centering expansive, fluctuating readings of Public/s, as live organism, fluid and entangled, in perpetual motion, and as a source of complex imaginaries, research synthesises a constellation of related vocabularies, including materiality, encounter, memory, and film/photography towards other ways of thinking/doing publicness.

With/in this contested space of Public/s, artworks trace the vigilant, spectral body through interactions with an assemblage of objects, non/human relations, filmic processes and sites to ask what else can Sculpture be?
In an orientation towards a distant sculptural(other), in which experimental, unpredictable and (re)generative interchanges can emerge.