In reading Public/s, as a problematic, my research approaches artistic conditions of possibility as
as a radical form of listening, a (para)language of experimental, experiential processes and an accessible mode of address, in the Aftermath of conflict, trauma and grief.

With/in contested spaces of Public/s, works question if (other)sculptural and transdisciplinary modes of intervention can (re)mediate alternative, spatial and embodied ways of being, for vigilant, (post)conflict, spectral bodies.